To start from the beginning, read In Your Face: An Interview with Bruce Gilden (Part 1) here. So a day at the beach was great. And I am. Viewed through Gilden’s probing, witty lens, Coney Island is a place crammed with characters. I did a few portraits, okay, but other than those few all the shots are candid. Oct 31, 2016 - Explore semeramorta lancun's board "PHoTo - Bruce Gilden", followed by 983 people on Pinterest. It was hard walking in the sand, and I would do two full trips: Coney Island, Brighton Beach, back to Coney Island, and back to Brighton. But I haven’t had that many altercations for somebody who’s done what I’ve done for so long and photographed where I have. Sometimes I’m so close to people they don’t even realize I’m taking their picture. Because to take the pictures I take, you have to be tough. Bruce Gilden's childhood in Brooklyn endowed him with a keen eye for observing urban behaviors and customs. New Orleans Mardi Gras, 1982. They do their best work in their first long-term project and then it’s all downhill after that. This is the first Ask Magnum interview and Bruce’s answers are candid and a little rambling but definitely worth a listen. I think it helps me a lot. But I don’t try and stand out either. How does that help you in your practice? Even when I was there [for this series] it wasn’t as interesting as it had been 20 or 30 years previous. August 7, 2013 157 View Post Looking for something specific from Bruce Gilden? Magnum Collection Poster: Central Park, New York City. It was 1969 and he’d only picked up his first camera a year earlier. With powerful individual vision, Magnum photographers chronicle the world and interpret its peoples, events, issues and personalities. That doesn’t mean somebody can’t do an okay essay on the place, because you can still find some characters there. I think when you live in a place like New York City, the air is better in Coney Island, you can take a swim, it’s free, it only costs a subway ride to get out there. Because I’m still getting back at my father. And I’m about as streetwise as they come. Gilden set out to capture the 'heartbeat of the city' Credit: Bruce Gilden/Magnum Photos They were published this year in a new book, Lost and Found (Thames & Hudson, 2019). On the day of the Leica Magnum Paris event, I had the huge pleasure of meeting Bruce Gilden. People have this weird respect for me: I’m very honest, I’m not playing a game where I’m trying to be 40 feet away and sneaking a picture. Carnival season has always been a strange time for looking. “I’m known for taking pictures very close,” says Gilden of his practice. A lot of people are sedentary; sitting on their beach chairs. Bruce Gilden … Bruce Gilden is one of the most iconic street photographers of our time. You’ve described yourself as ‘a strong character’. It’s an uninterrupted stretch of beach. I live a few miles upstate so I don’t go there very often, but until three years ago my wife would go swimming there during the summer and I would go out, wait for her, take maybe one or two pictures. Maybe, years ago, I would see a fistfight. He wasn’t in a gang. It’s just not as interesting a place as it was. Bruce Gilden provides his inimitable street style to developing an artistic interpretation of Dolce&Gabbana 2019 Spring Summer collection. I’ve taken strong pictures throughout my career. That doesn’t mean that you’ll get better pictures. Courtesy of Bruce Gilden/Magnum Photos By Emilia Pesantes Bruce Gilden’s Lost and Found is riddled with black and white images that, page after page, mimic the rhythm of the very New York City streets they illustrate; they’re fast-paced and crowded, capturing the people of Manhattan as they were on any given day in the late 70s and early 80s. Clad in construction boots, long trousers, and an army jacket with long sleeves, the photographer trudged back and forth along the beach, snapping sunbathers, circus sideshows, and all manner of eccentric characters strolling along the beach, midway and boardwalk. Bruce Gilden. They were suffocating in the city. 1985. If you look at my career, what I’ve done is quite consistent as far as what I like and what interests me. Magnum solicited questions for Bruce Gilden from Facebook and Twitter then sat down with him at the kitchen table in the Magnum offices in New York to hear his answers. That’s what was part of the reason for the clientele changing there – once they put the subway in, a lot of poor people could get away. Then sometimes I’d even walk back to Coney Island again. In Coney Island, if I saw somebody that I thought would make a very good portrait, I’d ask “Can you stand over here?”, that’s it. Photograph: Bruce Gilden/Magnum Photos T here is Sergey, a small-time gangster whom his cellmates nicknamed Wild Boar. An Iconic street photographer with a unique style, Bruce Gilden was born in Brooklyn, New York in 1946. It was so packed that there was no space. Brooklyn-born photographer Bruce Gilden (1948) gets right in your face. They just don’t have the passion, they don’t have the creativity. Consider the man posing proudly with a huge inflatable plane, or the bespectacled woman standing behind a booth that reads SEE HER CHANGE FROM BEAUTY TO BEAST, or the small, smartly dressed man standing under a dragon’s head. For me, you could take a staged picture and it could look like you didn’t stage it, and you could take a candid shot that looks staged. I don’t try and camouflage myself, ever. On the beach people are doing what they’re doing, they’re not always paying attention to me. That would have been because people were drunk, so that could happen, but I don’t think people change [when they go there]. Bruce Gilden joined Magnum Photos in 1998. Do you think your standing out affected your work there? You have more trouble with weak people than you do with strong ones. I also try to take pictures where I think the person wouldn’t mind. Bruce Gilden (born 1946) is an American street photographer.He is best known for his candid close-up photographs of people on the streets of New York City, using a flashgun. There are a lot more trendy people. And when I was in Coney Island it was never as crowded as it had been in the 30s, 40s, 50s, because in those days people didn’t travel as much, so since they didn’t travel they were really looking forward to a weekend at the beach. The 40s or 50s would have been a great time. Bruce Gilden joined Magnum Photos in … After the official product announcements of the Leica M9-P and the 21mm f/3.5 Elmarit lens, I headed upstairs for some small appetizers and some wine. Sophie Darmaillacq is a journalist, author and Bruce Gilden’s wife. See the rest of the stories from the series here. I’m not sad about it, but I do wish that there were more people around that I was interested in photographing. Tom Seymour. Martin, Bruce Gilden and Susan Meiselas will be at the Milwaukee Art Museum tomorrow night at 6:15 to discuss Postcards, Wisconsin, and their work in general. A Legendary street photographer searches for the soul of AMERICA AT STATE FAIRS Photographs by Bruce Gilden—Magnum Photos | Text by Paul Moakley Nathan, Iowa State Fair, 2017. Did you direct many people like that? Already the recipient of numerous grants and awards (among them three National Endowment for the Arts and a Japan Foundation Fellowship) in 2013, Bruce Gilden became the recipient of a Guggenheim Fellowship. After the official product announcements of the Leica M9-P and the 21mm f/3.5 Elmarit lens, I headed upstairs for some small appetizers and some wine. Revisiting the photographer's iconic project and reflecting upon the allure of photographing New Yorkers at leisure. Explore our full archive and license images on Magnum Pro. New York City, USA, 1989. On the day of the Leica Magnum Paris event, I had the huge pleasure of meeting Bruce Gilden. When Gilden was there – from the late 1960s to the late 1980s – it was more seedy, more tired, partly because of competition with other Long Island beaches, but also as the result of a series of fires, and the fact that people with money could now fly to more exotic locations. 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